Hi,
I would like to know what Kennedi thinks of Throbbing Gristle's abusive pornographic past, and how she rationalizes this with her love for them (as evidenced by her posting of them and her continuous usage of their name)? 

https://www.theguardian.com/music/2018/dec/10/genesis-p-orridge-throbbing-gristle
"Fanni Tutti recalls a series of alleged incidents in Art Sex Music, all denied by P-Orridge to the New York Times: how P-Orridge threw a concrete block at her head from a balcony, apparently aiming to kill her, and missed. How she allegedly pressured Fanni Tutti into frequent unprotected sex, which led her to seek an abortion. How she ran at her with a knife after Fanni Tutti threatened to end their relationship. How P-Orridge appointed herself chief supervisor of COUM’s frequent orgies and expected Fanni Tutti to have sex with various friends “instigated by and shared with [P-Orridge]”. There are repeat alleged incidences of P-Orridge forcing Fanni Tutti out of their shared living space."

Not just that, but most noise / industrial music in general has heavy themes of sexual violence, aggressive sexual pornographic themes, masturbation, and use of blood/urine/feces/bodily fluids in either self-pleasuring or self-harm. 

I understand "remove the artist from the art", but in terms of noise and industrial music, the artist sometimes IS the performance and the counter-culture movement IS the art, as opposed to the end products being the art. 

Not only this but does she ever mention why she is into perfumes and other frivolous things like expensive skincare, talking with 4channers (the old screenshots), accepting gifts/money from them, and talking about sexual themes in a less-than-sacred way, etc? I am not judging her, nor do I really care to tarnish her image or uphold it. She is just a very interesting character and I'd like to know how this cognitive dissonance between her ideals and politics and feminism can co-exist with her interests, company, and mannerisms. 
Thank you.