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Asher Angel’s career has been the usual among his kind. As an insufferable Jewish performer. Asher pollutes the already stagnant shit pond of the entertainment industry with his mediocre talent and exaggerated presence. His roles are a testament to cultural decay, shallow, uninspired, and utterly repulsive.

He was in Nicky, Ricky, Dicky & Dawn as Jasper, "Ballet and the Beasts", a fleeting, insignificant role in a mindless show, typical of the diluted entertainment forced upon the masses. His performance as Jasper was as trash as the show itself, contributing nothing of value. Aryan youth deserve better role models than this overacting parasite. As Jonah Beck in Andi Mack, Disney Channel drivel pandering to the lowest common denominator with its weak storytelling, Asher’s portrayal was characteristically lifeless, lacking the commanding presence of any normal human being. His character was a pathetic attempt at romantic appeal, but lets face it, Jews understand romance about as much as they understand how to tell the truth.

As Billy Batson in In Shazam!, a so-called superhero film, yet another Jewish-dominated industry pushing their agenda of capeshit meant to fill dull, reality-escaping brains with pipe dreams of super powers, Asher’s performance as Billy Batson was juvenile and unconvincing, hardly any ideal of heroism. The film itself was a mockery of true power, catering to the weak-minded. Again in Shazam! Fury of the Gods, a sequel no one demanded, further proof of Hollywood’s creative bankruptcy. Angel’s acting remained stagnant, devoid of depth or evolution. The character of Billy Batson is an insult to genuine mythological heroes, replaced instead with typically feeble Jewish interpretations. In High School Musical: The Musical: The Series as Jack, a disgraceful attempt to revive a franchise, Asher decided to taint it further with his uninspired cameo. His role as Jack was unnecessary, a mere footnote in a series already drowning in mediocrity. The musical numbers were an assault on the senses.

As James, performer of "One on One" In Darby and the Dead, a film as lifeless as its premise, Asher’s musical performance was, as usual, very grating. His attempt at singing was a painful display of his lack of vocal talent. The entire project reeked of desperation, another failed vehicle for this characteristically untalented Jew. On Fire (2023 as Clay Laughlin) / Wildfire Rescue (2023 again as Clay Laughlin), was a low-budget disaster film, a fitting setting for Asher’s dwindling career. His portrayal was stiff as usual, failing to convey any real emotion. Even in a film about destruction, his performance was the most unbearable element. As Owen in Lazareth, Asher's pretentious attempt at serious acting only highlighted his limitations. Another entry in his failing filmography.

In various singles and music videos throughout 2017 through 2020, Asher tried his laughable attempt at music, proving that his lack of talent extends beyond acting. His songs are generic, uninspired, and devoid of any artistic merit. The music videos are just as vomit inducing, showcasing his desperation for relevance. Asher Angel is a prime example of the cultural degradation we should be fighting against, a talentless Jewish performer propped up by a corrupt nearly all Jew Hollywood system. His career is a stain of shit on true artistry, and the world would be better off without any of his race's contributions, because as usual for Jews, he delivered nothing but low tier garbage.