LightSpirits jpg
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Sand Goddess png
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Spirit Temple jpg
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Arbiters Ground jpg
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The Sand Goddess, and Spirit Temple interiors have mock Egyptian hieroglyphs on the walls. The Greco-Roman architecture built on top of the older Egyptian architecture, in the Arbiter's Ground, make me think of the Hellenization of ancient Egypt. It may be telling the player what kind of symbols to look out for ie Hellenized Egyptian. I think the moon tears are a Hellenized Isis reference.
This is the dark Link cut-scene from Twilight Princess. It's creepy as fuck, and full of light/dark symbolism.
https://youtube.com/watch?v=McKddLtjpUo
1:12 three shadow Links appear; the Magic Flute used repetitions of three a lot.
1:30 Link turned to ashes(Holocaust) by the three dark Links, and is "re-born" as a dark/evil Link
2:40 warns that dark magic will rule over you if you try to wield it
3:15 "The dark power that you seek is within the sleeping Lakebed Temple in Lake Hylia..." Enki/Ea water magic
kikepedia/wiki/Enki
Enki
God of Creation, Intelligence, Crafts, Water, Seawater, Lakewater, Fertility, Semen, Magic, Mischief
Considered the master shaper of the world, god of wisdom and of all magic, Enki was characterized as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth. In the later Babylonian epic Enûma Eliš, Abzu, the "begetter of the gods", is inert and sleepy but finds his peace disturbed by the younger gods, so sets out to destroy them. His grandson Enki, chosen to represent the younger gods, puts a spell on Abzu "casting him into a deep sleep", thereby confining him deep underground. Enki subsequently sets up his home "in the depths of the Abzu." Enki thus takes on all of the functions of the Abzu, including his fertilising powers as lord of the waters and lord of semen.[14]
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https://www.chabad.org/kabbalah/article_cdo/aid/380568/jewish/Shattered-Vessels.htm
"The shattering of the vessels" (in Hebrew, "Shevirat haKeilim") of the world of Tohu is the key concept in explaining the basic problem of diverseness and multiplicity in Creation as well as the origin of evil1 and is a central component in the Arizal's system of Kabbala, where it receives a full exposition2
The existence of vessels [for the lights that issued forth from Adam Kadmon] begins only in the world of Akudim - in which there is but one general vessel for all the ten lights - and below. Subsequently, the world of Nikudim [another name for Tohu] was emanated, in which ten vessels were formed for the ten lights. All of them were the aspect of keter of the ten sefirot, so that there were ten lights of keter of the ten sefirot. Each of these ten keter-lights had an individual vessel. The remaining nine parts of the lights [i.e., chochma, bina, chesed, etc.] in each of the sefirot were incorporated within the keter-light of each of the sefirot. For this reason they are referred to as ten "nekudot", meaning individual "points" of light, rather than as ten complete sefirot… Now these ten sefirot were emanated in such a way that they were situated one above the other. (Ibid., Shaar HaHakdamot, Derush 1 b'Olam HaNikudim) The sefirot of Tohu were situated one above the other in a single line … unlike the array of the sefirot in the world of Tikun, in which the sefirot are arranged in harmonious triads…
The fact that the sefirot of Tohu were situated one above the other in a single line indicates that they act as independent entities, unlike the array of the sefirot in the world of Tikun, in which the sefirot are arranged in harmonious triads.