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After recent scandals around payment systems and gaming content, I came up with a way to stir the pot and make things even more interesting for both big corporations and everyday folks.

Payment processors are starting to moderate games - cracking down on content involving alcohol, tobacco, and adult themes. But meanwhile, they still process payments for movie theaters, streaming platforms, and bars where alcohol and cigarettes are openly shown and promoted.

So what if we flood their inboxes with letters demanding they apply the same ethical standards to Twitch, YouTube, Discord, Unity games, Google Play, Spotify, Netflix, Amazon Prime, Disney+, HBO, and other media services? Claim that movies, music, and content glamorizing alcohol, tobacco, and violence violate moral guidelines - and if they want to be consistent, they should start restricting payments for these industries too.

Imagine how confused and chaotic it would get for them to deal with that!

We can pretend it’s a serious request from a "community movement" with hundreds of supporters.

My challenge to you: be creative - come up with your own "moral" reasons to go after Twitch, YouTube, and the rest of the media circus.

Who's in? Let's spam their emails with these demands and see what happens.

After all, a handful of activists managed to do this before — why can’t we? Just send one letter a day and tweak the wording a bit; it’ll only take 5-10 minutes.

PS: let’s watch the world burn.




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 >>/102824/
> a torrent of blood
Atomwaffenesque. Not possible. The enemy has admitted that National Socialists are 10% of the population. Whether that's true or not, considering the fact that they lie as reflexively as humans breathe - The result is still that we're outnumbered and scattered. Not grouped. Not a collective. Also, we're all far too paranoid for a variety of historical reasons to group together primarily because of FED and jewish infiltrations in the past.

The solution is the same as it has always been. Numbers. In fact the very same thing Antifa, whom organizes in groups to hypocritically protest organized groups is "against" - The root definition of Fascism is what is required. Yet how is that problem solved? Try posting a meetup here or at any chan and the Feds plus jews will show up. Go knocking door to door for 13 years like the 9 members of the NSDAP did to gain eventual traction? Get arrested by ZOGbot cops for "disturbing the peace" while the jew news media lambasts you for "muh raycism".

I have yet to solve the problem. No anon here has either. There was one who promised he had the solution, but then kept insisting he had to keep it secret. Whether that anon was full of shit or not, nobody here knows. It's pointless until we know, categorically, how to gain enough numbers to wipe out the main blockade preventing us from removing any other threats : that blockade is JEWS.

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 >>/102830/
You seen those flyers where it goes every aspect of x is jewish picrel btw realistically posting thse up st night in major cities all over the place would probably work pretty well in places that dont reflexively react to "le antisemitism" regardless. Normies are easy and i dont know why you guys havent seen this but normies are literally just programmed through repetition like ai through rlhf so just reoeating the same claim often wakes up many normies ive done it so many times or you have yo present a good argument so the normie cant possibly deny it in all honesty if you want numbers then you just gotta be out there pushing well i guess it can be called propaganda or on individuals who deny reality you gotta be debating them and btfo'ing them in a public forum perhaps for now an anonymous forum anyway i was thinking that posting up fliers will start slowly waking people up to reality faster and faster and also de stgmatize this antisemitic shit and all that crap still the fight and lust for the blood of those genocidal jewrats is in our nature and our blood therefore we must strive to not let the media programming control our nature theres this really good channel on youtube called wyatt stagg if your interested in learning about the subversiveness of hollywood

 >>/102837/
Man i wrote this shit real schizo like with no . Or, to clarify im talking about white rage and how seeking vengeance on the genocidal jew is in our nature and is just and how hollywood seeks to program us into subduing our natural instincts for survival





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Elon Musk, the iconic entrepreneur behind SpaceX and Tesla, is widely hailed as a genius, a disruptor, and sometimes, a misfit. However, since his takeover of Twitter in 2022, several of his promises to uphold Twitter (now X) as a “free speech” platform have fallen through. Popular YouTube personality Jeremy Hambly, AKA “The Quartering,” highlighted that most of the missteps began with the appointment of Twitter’s new CEO, Linda Yaccarino. She entered the scene with a questionable track record, marked by apparent censorial tendencies and alleged affiliations with the World Economic Forum (WEF). Such a background was, for many, a red flag. Elon’s choice was, at the outset, a bid to salvage Twitter’s dwindling profitability through an aggressive advertising focus. And true, in the short term, advertising is the lifeline Twitter needs, especially as it continues to bleed cash.

However, Musk had promised a renewed emphasis on ‘freedom of speech, not freedom of reach’ for Twitter. The intention behind this was to differentiate between the right to voice an opinion and the reach that opinion gets on the platform. But the implementation seems to have missed the mark. The reality is that while Twitter, under Musk, was vocal about being a ‘free speech’ platform, there was an alarming increase in account bans and content deboosting. Such actions made one question the transparency and authenticity of Musk’s commitment. It’s evident that any content deemed ‘spicy’ or potentially contentious faced an 81% deboost, a statistic unsettling to many, especially when such determinations rely heavily on automated systems known for inaccuracies. Musk’s assurances were further undermined by policies rolled out, which eerily resembled the old ‘Twitter 1.0’ rules - stringent content guidelines against incitement, threats, or what they ambiguously termed ‘abusive content.’ It felt like a rerun, only under a different leadership banner.

Yet, it wasn’t just about speech. Musk’s takeover promised no permanent bans unless there was a breach of the law. This pledge, however, remained unfulfilled as numerous accounts faced unwarranted permanent bans, highlighting a glaring discrepancy between promises and actions. For example, popular Twitter personality @dom_lucre was banned shortly after questioning the drowning of former President Barack Obama’s personal chef. It wasn’t until a massive public outcry over the suspension that @dom_lucre’s account was reinstated. The same goes for former pharma executive Sasha Latypova. Her account was banned for reported “hate speech,” a far cry from being unlawful speech and a vague term that can be weaponized to silence speech one doesn’t like. Latypova’s account was also reinstated, but it wasn’t until criticism of the suspension that “X” decided to reverse its decision.

Substack is a blogging platform primarily intended for independent writers, who depend on user subscriptions to support themselves. Ever since a controversy after the launching of “notes,” an added Substack feature similar to “X,” Substack articles no longer receive an image preview on “X,” making someone far less likely to click the shared link. In addition, the deboosting of the external link is far more severe than that of other news outlets — even if someone manually includes an image. In my own experience [the author of this article], sharing a post with a Substack link could receive as high as an 80% to 90% reduction in engagement compared to a post with no external link with an image or video. usk has repeatedly said, “Unless people that you don’t like can say things that you don’t like, it’s not free speech.” 

[OP note: Are you surprised the Hebejew name Elon from the jewish University of Pretoria whom partnered Tesla with Israeli Cortica and is a member of the WEF isn't trustworthy? Because I'm not surprised.]

https://vigilantnews.com/post/x-is-not-living-up-to-what-elon-musk-promised-heres-why
https://archive.is/wip/Pp5P7
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 >>/33978/
Then i maybe mistook it with someone else 

 >>/87744/
> To be clear, the thread referenced there that became deleted was "NIGGERCIDE 2022
His idea of niggercide would not work with one simple factor called "humanitarian aid to affected" since unsatified (i mean materially not zog aware) zog subject is the most dangerous for zog


> X Is Not Living Up to What Elon Musk Promised
No shit, Einstein!Only a retard would fall for his promises. And generally most people that claim they support freedom of speech are the total opposite. Take alternative social media for example that also promised freedom of speech but they quickly transformed into political cirlejerks that will ban you even for apolitical posts they hate.





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here is an indian speaking the truth about India, about how fucking bad india really is, and how fucking vile the mentality of indians are. 

https://www.lewrockwell.com/2023/12/jayant-bhandari/the-structure-or-lack-thereof-of-india/




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I don't really know how to word this without sounding like a gay retard but I'm looking to learn about ideologies that advocate for collective ownership & anti capitalism without being dumbasses about leftist identity politics.  I've recently been radicalized in the other direction on social issues (particularly in regards to race/ethnicity/nationality and trans issues).  I had a nagging thought in the back of my mind back in 2020 with all the BLM shit but mostly ignored it, but recently the Karmelo Anthony case and the black community's reaction to it has sort of (but not fully) lead me towards believing we are incapable of coexisting with these people.  Israel's genocide on the Palestinians & the level of control they have over our media & politicians have lead me towards straight up antisemitism.  Trans people are extremely annoying, mentally ill, and have made it much more frustrating to exist as a gay person (yes I'm a faggot).

Anyways, I'm kind of lost on what my ideology is right now and where to find communities that align with what I believe.  If there's any books I should read, info I should know about (I know this community hates Jews so I'm sure there's a lot of shit I could learn here lmao), or communities I could be pointed towards (I understand if these want to be gatekept though) I would greatly appreciate it
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i mean, I understand OP’s point. Think of it this way : he realized that blacks, arabs, trannies & jews simply don't belong in well-functioning societies like ours in Europe. Now imagine this hypothetical nation where whites, not jews, are the ruling. In this society, you don't want capitalism, you don't want a handful of whites exploiting or dominating their ethnic brothers. Instead, you want socialism, a regime where we all can coexist no matter the social status, without class war, a society where you consider someone your equal not because of their income or job but because of their race
in a way, that’s what national-socialism is : socialism for the predominant, not the immigrants and jews.






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It is beyond dispute that there exists a veritable plethora of Jewish celebrities beyond the confines of this solitary image. However, this discourse pertains to my personal Jew-Radar, an instinctive inborn mechanism I have that adeptly filters out the alien parasites, particularly when confronted with their insipid personas. Consequently, I have refrained from indulging in the more insidious, brainwashing narratives surrounding Jewish newcomers. I shall commence revealing Adam Brody, the individual primarily recognized for his role in the Shazam film series. Under the guidance of David F. Sandberg and Zachary Levi, Brody’s portrayal of Shazam is purported to represent the "adult" incarnation of Billy Batson. Yet, rather than embodying maturity, we are presented with a cringe-inducing caricature of an overgrown adolescent, forever ensnared in the stasis of his first middle school slumber party. His comedic endeavors descend like a leaden balloon, awkwardly forced and painfully unamusing. It evokes the image of a father attempting to be "cool" among the youth. As the de facto elder of the Shazam family, he remains a chaotic, indecisive presence, fostering discord rather then any semblance of heroism. His strategic acumen amounts to little more than reckless improvisation. His smug delivery of half-baked quips invites the question of whether he is, in fact, endeavoring to provoke a punch to the face.

Even amidst apocalyptic stakes, Brody flippantly cracks jokes akin to a nervous stand-up comic faltering at an open mic. There exists a time for levity, and then there's being an emotional void; Brody excels in the latter. Shazam comes across as a frat boy unwittingly wandering into a cosplay contest. After two films, the charade becomes wearisome. One would anticipate some semblance of growth; alas, his dialogue resembles a rejected first draft of a Deadpool script, deemed too desperate in its attempts at humor. Not every utterance necessitates a punchline, a fact seemingly overlooked by Brody's scriptwriters. Even in moments of unleashing lightning or confronting monsters, he lacks any semblance of intimidation; possessing neither the physical presence nor the commanding energy befitting one of DC’s most formidable heroes. Adam Brody’s rendition of Shazam epitomizes the tragic outcome of a potentially vibrant character, stripped of all depth, gravitas, and affability, leaving only a snarky, juvenile facade that quickly overstays its welcome. If this represents the future of heroism, perhaps Jews are telling us they like their heroes incredibly dim-witted. They certainly prefer their Presidents this way.

Now, let us examine the Jewish elements beyond Brody’s portrayal as a TikTok-obsessed, Fortnite-dancing Zoomer caricature masquerading as a hero—an entity that embodies a walking safe space endowed with superhuman strength. Prepare your checklists, for the films soak heavily in the realm of Diversity, Equity, and Inclusion. They have taken what should have been a legendary warrior and relegated him to the status of the typical "awkward Caucasian portrayed by a Jew" amid a cohort of characters who exude coolness while he flounders like a beta male wielding lightning bolts. The hallmark of most Jew narratives is not representation, but rather, character assassination. When certain quips revolve around the absurd notions of "toxic masculinity" or "emotions are challenging to express naturally" it becomes evident that the writers harbor a disdain for tradition and humanity—indeed, this is only Jews reflecting their own depraved minds. "Oh, the burden of responsibility is so daunting!" does not constitute humor; it serves as a form of psychological conditioning aimed at fostering weakness and inability to face reality. Villains? True evil is seldom illuminated, for doing so would only expose the Jews. Shazam is not a champion; rather, he is a corporate marionette for Warner Bros. They transformed a Titan into a self-deprecating, emotionally fragile joke, displaying a blatant contempt for traditionalism and heroism.
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Art Garfunkel is a name that evokes the same profound emptiness as his so-called "art." Let us begin where all his failures do: in the dim, greasy corners of Queens, where he and Paul Simon, two typically untalented, fame-grasping Jews, slapped together a pitiful imitation of the Everly Brothers under the pathetically thieving pseudonym Tom & Jerry. As if stealing the names of cartoon vermin could disguise the fact that they were peddling derivative, doo-wop drivel, the kind of music that makes you long for the sweet release of silence. Garfunkel’s voice, even then, was a feeble, nasal whimper, the sound of a man perpetually on the verge of being told to shut the fuck up.

By the time they rebranded as Simon & Garfunkel, Simon had traded his greaser aesthetic for the far more insufferable costume of a tortured poet, scribbling lyrics that mistook adolescent angst for profound insight. Their music was the equivalent of a middle-schooler’s diary. Simon's entire technique was "pluck strings softly so people think I’m deep.", while Garfunkel’s overbaked harmonies turned alienation into something not just boring, but actively tedious. Simon & Garfunkel’s "hits" were often little more than reheated leftovers, dressed up in pretentious arrangements and sold to a generation desperate for meaning.

"Scarborough Fair"- Simon didn’t write a single word of the verses, they were already centuries old (17th century) when he and Garfunkel warbled them.
"El Condor Pasa" - Simon didn’t write a note of this melody. It was composed by Peruvian musician Daniel Alomía Robles in 1913. Simon tacked on English lyrics and took a songwriting credit.
Anji - Stolen from Davey Graham and played note-for-note.

Simon, the control freak with a savior complex, couldn’t stand that Garfunkel’s vacant lack of human emotion got him more attention. Garfunkel couldn’t stand that Simon treated him like a backup singer who overstayed his welcome. Which proves why they broke up in 1970 - Not even Jews can stand each other because they're so insufferable. Freed from Simon’s shadow, Garfunkel made the catastrophic choice to pursue acting, as if his inability to emote in music might somehow change on movie screens. As Lieutenant Nately in *Catch-22*, he mistook satire for an invitation to whine incessantly, delivering a performance so grating you would find the character’s inevitable demise a breath of fresh air. Attempting again to portray an actual human being, Garfunkel fell flat as Sandy in Carnal Knowledge, incapable of proving any acting chops, because he had none to begin with. Seriously. The man was a du-wop and pop singer. As Alex Linden in Bad Timing, he chose the one title reflecting his career choices while he hyperventilated to mimic having a breakdown. In Boxing Helena, he delivered lines flat, and in The Rebound, he essentially played himself: Harry Finklestein, an insufferable, micromanaging pain the ass Jew. Just a normal everyday Jew, really.

Like all of his kind, Art Garfunkel was, and remains, a void when everyone should have already known. Jews have absolutely no talent.

 >>/103379/
> Simon and grarfunkel

Only thing why he wasnt faded into obscurity with his retarded colleague by better counterparts was because one song became a meme template and even then it was the beginning verse and the second song mrs robinson was highjacked by kekistani culture for that controlled op jew Tony Robinson

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Asher Angel’s career has been the usual among his kind. As an insufferable Jewish performer. Asher pollutes the already stagnant shit pond of the entertainment industry with his mediocre talent and exaggerated presence. His roles are a testament to cultural decay, shallow, uninspired, and utterly repulsive.

He was in Nicky, Ricky, Dicky & Dawn as Jasper, "Ballet and the Beasts", a fleeting, insignificant role in a mindless show, typical of the diluted entertainment forced upon the masses. His performance as Jasper was as trash as the show itself, contributing nothing of value. Aryan youth deserve better role models than this overacting parasite. As Jonah Beck in Andi Mack, Disney Channel drivel pandering to the lowest common denominator with its weak storytelling, Asher’s portrayal was characteristically lifeless, lacking the commanding presence of any normal human being. His character was a pathetic attempt at romantic appeal, but lets face it, Jews understand romance about as much as they understand how to tell the truth.

As Billy Batson in In Shazam!, a so-called superhero film, yet another Jewish-dominated industry pushing their agenda of capeshit meant to fill dull, reality-escaping brains with pipe dreams of super powers, Asher’s performance as Billy Batson was juvenile and unconvincing, hardly any ideal of heroism. The film itself was a mockery of true power, catering to the weak-minded. Again in Shazam! Fury of the Gods, a sequel no one demanded, further proof of Hollywood’s creative bankruptcy. Angel’s acting remained stagnant, devoid of depth or evolution. The character of Billy Batson is an insult to genuine mythological heroes, replaced instead with typically feeble Jewish interpretations. In High School Musical: The Musical: The Series as Jack, a disgraceful attempt to revive a franchise, Asher decided to taint it further with his uninspired cameo. His role as Jack was unnecessary, a mere footnote in a series already drowning in mediocrity. The musical numbers were an assault on the senses.

As James, performer of "One on One" In Darby and the Dead, a film as lifeless as its premise, Asher’s musical performance was, as usual, very grating. His attempt at singing was a painful display of his lack of vocal talent. The entire project reeked of desperation, another failed vehicle for this characteristically untalented Jew. On Fire (2023 as Clay Laughlin) / Wildfire Rescue (2023 again as Clay Laughlin), was a low-budget disaster film, a fitting setting for Asher’s dwindling career. His portrayal was stiff as usual, failing to convey any real emotion. Even in a film about destruction, his performance was the most unbearable element. As Owen in Lazareth, Asher's pretentious attempt at serious acting only highlighted his limitations. Another entry in his failing filmography.

In various singles and music videos throughout 2017 through 2020, Asher tried his laughable attempt at music, proving that his lack of talent extends beyond acting. His songs are generic, uninspired, and devoid of any artistic merit. The music videos are just as vomit inducing, showcasing his desperation for relevance. Asher Angel is a prime example of the cultural degradation we should be fighting against, a talentless Jewish performer propped up by a corrupt nearly all Jew Hollywood system. His career is a stain of shit on true artistry, and the world would be better off without any of his race's contributions, because as usual for Jews, he delivered nothing but low tier garbage.

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Ayelet Shaked is a conniving, scheming tool of international Jewry, parading herself before cameras with all the artificiality and soulless calculation that defines her parasitic race. I will have to skip her Hebrew language guest spots because I do not ever intend on learning that repulsive phlegm language. She co-authored the "Nation-State Law" (2018), which declared Israel the exclusive nation-state of the Jewish people, enshrining Jewish dominance in law. She openly dehumanized Palestinians during the 2014 Gaza war, sharing a Facebook post calling Palestinian children "little snakes" and endorsing the idea that they are future terrorists. 

As a former member of the Jewish Home and Yamina parties, she promoted Jewish supremacy in Israeli governance, opposing Palestinian statehood and supporting settlement expansion. As Justice Minister (2015–2019), she fast-tracked punitive demolitions of Palestinian homes. Post-October 7th, she has defended Israel’s bombardment of Gaza, framing it as necessary "self-defense" despite the catastrophic civilian toll. A key architect of Netanyahu’s judicial reforms, seeking to neuter the Israeli Supreme Court to entrench right-wing power, justifying it as "restoring democracy." She famously called left-wing Israelis "terror sympathizers" and accused human rights groups of "working for Hamas plus supported banning Arab parties from elections and expelling Arab citizens. In the 2014 Gaza War, she praised the IDF’s actions, dismissing Palestinian casualties as inevitable collateral. For the 2023 Gaza War, she defended cutting off food and water to Gaza, saying "there are no innocents".

In The Influencers, she spouted corporate slogans like a trained parrot, her so-called "ideas" nothing but recycled Jewish poison. When pressed? Irritation, a flash of the true Ayelet: brittle, arrogant, incapable of admitting fault. The weakness of her race laid bare. In Uvda, under real questioning, her polished facade cracked, revealing the sneering Jew elitist beneath. She snapped, she deflected, she retreated into legalisms, because like so many of her race she has no moral core, only calculations. The camera does not lie. Contempt dripped from her every word. In FOLCS Conversation, she stammered through basic geopolitical questions, retreating into Zionist cliches. The international audience saw her for what she is, a small-minded leech promoting the mass murders of her kind. In The Bolt Repor, her broken English and tone-deaf aggression, she misread the host, misread the audience, everything. The vaunted "strategic mind"? Nonexistent. A child could have performed better. In Wake Up America Weekend, of course her attempts at charm come off as ghoulish, an alien mimicking human behavior. The producers cut the segment short. Even they could not stomach the embarrassment.

In Credlin, the true Ayelet emerged yet again, hostile, defensive, brittle. She treated questions as personal attacks, shoulders hunched like a cornered rat. So much for "tough Jew". There is no such thing. This is the weakness of a creature who knows her house of cards is collapsing. In Sharri, a decade in the spotlight and nothing has changed. The same tired slogans, the same forced smiles. She is stagnant, irrelevant, a relic of a dying political era. This is the face of Zionist "leadership"? This is the best their inbred Jews can produce? Pathetic. The Aryan spirit should outlast these hollow rat-face creatures if we are of any value whatsoever.




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https://archive.is/h5uww
> With Hamas almost completely dismantled in Gaza, Hezbollah defeated in Lebanon,  Assad’s regime in Syria replaced, and Iran’s skies under complete Israeli control, the strategic map of the Middle East is being rewritten. The military wars are being won. Soon comes the next phase: the war of influence.
> Israel’s most dangerous adversary today is not armed with missiles or militias. It wears a suit, hosts international summits, funds JEW universities, and owns one of the most powerful media machines in the world. That adversary is Qatar.
> Qatar has emerged as the biggest soft power enemy of Israel—financing terrorism, spreading propaganda, and shaping global opinion against the Jewish state. But this isn’t a battle Israel needs to fight with missiles. This is a soft power war, and it’s time Israel starts treating it that way.
 >>/103454/
Maybe, maybe not. Hard to say OP.

I still don't get why they're so hell bent on killing literally everything and everyone on earth. This is just fucking crazy. 

Isn't Hamas controlled opposition though? They didn't win against anything since they own them





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For your information from the interview (from which this cut clip is) he also mentioned since when he started to notice 
The biggest eye opener to him which led him to change from israeli alliance and later deplatforming of jews and investors from uganda was his trip to israel and realization jews are untrustworthy treacherous people and also hitler was right 

And the rest is history for back then prussia of africa and "african Hitler"

Also unrelated to thread please try to type the paragraph as one liner threads are not supported




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I'm known as 587 etc all else robbing me are known as slaves decrepit to mutilate xeir folks not kind 

I killed black panther actress in 2020 using my omni all browns are slaves tiny wrists no jaws as fugitives to kill via life in prison sentenced

One time, realizing how low traffic this board is, I found another chan with higher traffic. Don't remember the name of it. They had a regular there who kept bragging and likening his "personal saga" to Riddick. This kid's schizophrenic rants were embarrassing. You remind me of him.



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